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âSeon-Ho, what image comes to your mind when you hear the word âserial killerâ?â
âUh, what? Uh⊠well⊠I guess thereâs madness in their torn eyes, dark circles, um, and⊠unkempt hair that covers their eyes? Something like that, I guess?â
Seon-Ho stuttered in response to the unexpected question.
âIs that so?â
With that, Yoomyeong closed his mouth and the movie soon began. This film, which reconstructed the true crime story of âThe Martian Serial Killings,â was a work that Seon-Ho had been highly anticipating.
The 132-minute running time flew by in an instant.
As the credits rolled following the ending with a close-up shot of the lead actor, Seon-Ho finally unclenched his tightly balled fist.
âPhewâŠâ
âDid you enjoy it?â
âYes! Totally. The directing, the acting, wowâŠâ
âWho do you think the culprit is?â
âWell, I donât know⊠Park Hae-il? I couldnât find any proof, but there could be a twist, right?â
âWell, letâs put the actual identity of the culprit aside. Wouldnât you feel strange if Park Hae-il was the culprit?â
âNo? Iâd think, âIt was him after all!â AhâŠâ
Only then did Seon-Ho realize the meaning of the question that Yoomyeong had thrown at him before the movie.
It was about the prototype of a serial killer.
âSeon-Ho, thereâs no such thing as a mismatched role. There are only roles that canât be digested.â
ââŠâ
Leaving the engrossed Seon-Ho behind, Yoomyeong walked out.
It was 1 AM, right after the movie ended. The dawn air in May was refreshing.
Yoomyeong bought two beers at a nearby convenience store and sat down at a table placed outside the door. Seon-Ho followed him and sat down slowly.
âWhatâs the name of President Namâs subordinate number 2?â
âHeâs named Lee Cheol-seung.â
âWhy did Lee Cheol-seung join under President Nam?â
âHe had no skills or education and had no other way to earn a living, I thinkâŠâ
âWhat did he do before that?â
ââŠâ
âWhy couldnât he learn?â
ââŠâ
âWhat does he think about President Nam?â
âOh, well⊠a scoundrel who appears polished on the surface but is pitch-black on the insideâŠâ
Seon-Ho remembered that Yoomyeong was playing President Nam and subtly glanced at him.
Yoomyeong continued with his questions, unfazed.
âIsnât he a scoundrel himself? Why does Cheol-seung criticize President Nam internally? Does he still have some moral conscience? What about his relationship with subordinate number 1? What does he really think of Kim Cheolsu?â
The calm stream of questions stung.
â
An actor taking on a role should understand the life of that role to an extent where they can portray it.
It was something the seniors often said.
He thought he had done just that and created a backstory. For a minor role, his story was very detailed. However, Yoomyeongâs questions were much more detailed.
Had he not seen the old, tattered script, one might think that Yoomyeong was needlessly nitpicking him.
âStart with 1%.â
âPardonâŠ?â
âThe 1% similarity between you and the role. There must be at least one aspect where you think you are alike, isnât there?â
Seon-Ho thought carefully.
âUh⊠I think he and I have a soft heart.â
âIn what way?â
âIn this scene, subordinate number 1 and 3 lynches Kim Cheolsu while subordinate number 2 watches from behind. In this part, I think Cheol-seung might have felt some compassion for Kim Cheolsu. He couldnât stop them, but he didnât want to beat him either, so he chose to just watch. Thatâs what I think.â
âOh, thatâs a compelling interpretation. Itâs remarkable that you read so much into such a short line.â
A blush appeared on Seon-Hoâs face.
It was the first praise he had ever received. The praise of a senior he admired uplifted the heart of the young actor.
âGood. Once youâve empathized a bit with the role, you can gradually expand your horizon. Building upon the points you can relate to, add your imagination. What else is there?â
âHe seems to be short and small in stature, so I think he might have a complex about it. It could have been sublimated into a desire for recognition and aggression?â
âRight. And what else?â
.
.
The character analysis continued for a long time.
The conversation concluded only around dawn, and despite staying up all night, Seon-Hoâs face was beaming.
âThatâs right. Thatâs your Cheol-seung. You donât need to force yourself to broaden your shoulders or deepen your voice. You just need to âwear a convincing outfit.â Got it?â
âYes, senior!â
Seon-Ho looked at Yoomyeong with eyes full of admiration.
âBut it seems like it wasnât the first time you saw âMemories of Murderâ?â
âI think Iâve seen it about twenty times or soâŠ?â
Seon-Ho burst into laughter as if the statement was preposterous, and Yoomyeong turned around with a wave of his hand.
The sound of footsteps playfully chasing after him was light.
*
âWhy does that guy talk back so much to the bossâs orders?â
âShould we take him down a notch?â
âWe canât do that without the bossâs permission.â
The rehearsal room.
It was a scene where the trio of henchmen were plotting mischief.
Park Hansang felt strangely uncomfortable today. He kept getting the impression that Joo Seon-Hoâs acting was off.
âHe seems to have made an effort to improve his acting, but heâs lost his way.â
He pushed down his discomfort and thought that he should say a word or two to Seon-Ho as his senior once the scene rehearsal ended.
However, the directing team had a different idea.
âSeon-Ho, your acting was pretty good today.â
âRight? I thought the same. Seon-Ho, did you change something?â
âYes. I think I have been thinking about it in the wrong way.â
âWhat do you mean?â
âI was trapped in the stereotype of a thug or a gangster and couldnât bring the character to life in a multidimensional way. Thereâs no need to have three henchmen if theyâre all the same.â
âOh wowâŠâ
Jun-han wore a satisfied expression.
The boy who had been stumped until yesterday now felt vibrant with newfound clarity.
This was why teaching a first-time actor had its own charm. The sudden transformations were exhilarating.
âI noticed that you were giving Underling 1 a nasty look just now. Was there a reason?â
âYes. Underling 2 has some sense of ethics. So, I set it up to despise Underling 1, who is a born scum.â
The face of the âborn scumâ crumpled.
âHmm. What is the basis for this setting?â
âActs 2, Scenes 2, 6, and 7. If you look at the scenes where the henchmen appear, Underling 2 is always standing one step back. He doesnât use rough language often, and he tends to avoid immoral acts. I had thought it was because Underling 2âs character wasnât clear until now, but I realized that it could actually signify a distinct character.â
âWow. Seon-Ho, youâve grown a lot. Did you come to all these realizations on your own?â
Seon-Ho hesitated at Jun-hanâs question. Last night, Yoomyeong had told him something.
â
If someone asks who helped you, say that you did it alone.
Turning his head, which had unconsciously turned to one direction, Seon-Ho softly replied.
âYes. I did it aloneâŠâ
However, Cheol-joo had caught that fleeting look.
He shot an annoyed glance in that direction. It was Shin Yoomyeong âagainâ.
*
âWow. Director! Did you see the text that just came from the Planning Director?â
âNo? What is it?â
[We won rock-paper-scissors! Oedipus is on Monday, Tuesday, and Wednesday, and we are on Thursday, Friday, and Saturday!]
Cheol-joo relaxed for the first time in a while.
The good news was that they had managed to secure the latter dates for the final week of Mayâs festival.
âThatâs a relief. Itâll be tough to set the stage from Wednesday night to Thursday afternoon, but itâs still a hundred times better to have the latter performances.â
âOf course. Now we can go ahead with printing the posters and tickets.â
After a brief moment of celebration, they dove back into serious discussion.
[Final Script Fix Meeting]
The script modified in todayâs directorial meeting would become the final script.
During this process, actors who couldnât act well would have their parts significantly reduced, making it a meeting feared by everyone as they awaited the results.
âIn Act 3, Scene 2, Underling 1 resists the bossâs order to handle Kim Cheolsu. Wouldnât it make more sense for Underling 2 to do that?â
âAre you suggesting that we give Hansangâs lines to Seon-Ho?â
âAfter all, that content wasnât in the original script. We added it because Hansangâs acting was somewhat better, but today, I noticed that Seon-Ho has improved a lot. It also fits his character better.â
âIâm not sure about that.â
âUnderling 2 was always a slightly different type of thug, right? Thatâs why Seon-Ho was cast for the role. I thought it would be a lost cause, but he even figured that out on his own. Isnât that impressive?â
At these words, Cheol-jooâs face crumpled.
âHe didnât do that on his own.â
âHuh?â
âShin Yoomyeong was involved. Didnât you see Seon-Ho turn his head when I asked him if he figured it out by himself?â
âDid he? Even if he did, so what? Itâs common for seniors to help with character development.â
âBut heâs not a senior.â
Cheol-jooâs vague words made Jun-han ask.
âShin Yoomyeong is from the year â00, and Joo Seon-Ho is from â02. That makes him a senior, right?â
âNo. Itâs his first time acting, too. Heâs not in a position to teach his debut mate.â
âOh god, this guy againâŠâ
Jun-han let out a deep sigh.
He knew that Cheol-joo was a bit rigid, but not to this extent. Anything related to Shin Yoomyeong seemed to make him defensive.
There didnât seem to be any personal issues between the two.
If so, the reason for Cheol-jooâs attitude was probablyâŠ
Jealousy and wariness.
Having monopolized the lead role in most productions, Cheol-joo was evidently hostile to Shin Yoomyeong, who appeared to be a rising star that might outshine him.
The sharp-eyed Jun-han noticed it.
âHe would neither realize nor acknowledge thisâŠâ
Suppressing his irritation, Jun-han tried to reason with Cheol-joo.
âEven if Yoomyeong helped, heâs a novice, just like you said. He was probably just discussing it with his fellow debut-mate. Isnât it commendable that theyâre working hard like that?â
ââŠâ
âYouâre the director. Donât sweat the small stuff and look at the big picture. You know that Seon-Ho suits that scene better when you consider their characterâs coherence.â
Indeed, Jun-han was like a mother (assistant director) in this situation.
He gently persuaded his eldest son (director), who was wearing the title of a father, and successfully pushed his opinion through.
Joo Seon-Hoâs lines increased by four.
The problem was what came next:
âWe need to reduce the weight of President Namâs role.â
âWhat? Why?â
âEvery time Kim Cheolsu confronts President Nam, he gets overshadowed. Iâve told him several times to tone it down, but he wonât change. This is a negative influence on the flow of the play, donât you agree?â
Jun-han rubbed his head.
âHeâs doing his role pretty well.â
âMatching the lead actor is also part of an actorâs skills. Is standing out alone considered good acting?â
âIn this play, President Nam is the most ideologically opposed to the lead, Kim Cheolsu. The theme becomes more emphasized when President Nam is properly portrayed as the villain. If the lead actor appears overshadowed when confronting him, shouldnât we work on enhancing the lead character rather than killing off President Namâs character?â
âWe only have three weeks left. Do you think thatâs possible?â
âWow. Choi Cheol-joo, why are you like this? Iâm about to be disappointed in you.â
âWhat? What did you just say?â
The atmosphere froze instantly.
âDo you remember what you told me when you asked me to join the directorial team? You told me not to worry about the petty traditions and create the best production together, didnât you? Why are you acting like this toward Shin Yoomyeong?â
âIâm just looking at the overall balance. Did I say anything wrong?â
âItâs not wrong to aim for a safe play instead of a remarkable one. But heâs doing well. Why are you trying to bring down someone whoâs doing well to maintain balance? Wasnât creating a good play rather than a safe one that avoids criticism our ultimate goal?â
Cheol-joo gritted his teeth slightly.
Jun-han was an assistant director who usually complied with the directorâs intentions. Or rather, he was the type of actor who pretends to be, but later changes the outcome.
It was the first time that he had taken such a firm stance.
He softened his expression a bit.
âThen try it. If it doesnât work, youâre responsible for balancing it.â
ââŠAlright.â
With a reluctant compromise, the meeting that day came to an end.
And after three weeks, the festival began.
KAIST Spring Festival Theatre Performance at Betty Hall.
May 26th to 28th
[Hamlet]
by the College of Arts and Drama Club, <Oedipus>
May 29th to 31st
[Ambitious Dream]
by the Central Drama Club, <Changcheon>
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