àŒș The End of the Movie, The End of the Story àŒ»
A straight line that extended from the waist curved slightly forward to the neck.
The purity and patience depicted by the hands crossed in front of the chest.
The Giselle Line.
âAhâŠâ
Seryeon exclaimed in admiration.
The spine was perfectly straightened, and the arms relaxed to their limit, creating an alluring line. It was a motion that someone who hadnât learned ballet couldnât imitate.
From that posture, he extended his arms and bent his body in a cambré (a movement that starts at the waist and bends the body forward, backward, left, and right).
âŠIt was Giselleâs despair in Act 2.
<Giselle>
It was a masterpiece of classical ballet that was composed during the Romantic era of ballet.
In Act 1, the innocent village girl Giselle falls in love with a young man named Albrecht. However, Giselle, who has a weak heart, discovers that he is a nobleman engaged to someone else and is driven to madness before dying.
In the second act, Giselle becomes a Wili (a fairy from European folklore that awakens from their grave at night to seduce young men and makes them dance until they die).
The Queen of the Wilis, Myrtha, sees Albrecht, who came to apologize at Giselleâs grave, and places a curse on him to dance until he dies from exhaustion. Still in love with Albrecht, Giselle dances with him all night to protect him and disappears into her grave at dawn.
The poignancy and sorrow of Giselle, who loved the man who betrayed her even in death, was the highlight of this classical ballet scene. The actor was showing it with just the use of port de bras (ballet movements using the arms).
How could that be?
How could someone who isnât even a ballet major, especially a man, express Giselleâs anguish so vividly?
Even if it was just a few movements.
He stopped the demonstration and spoke again.
âLook, Yoon Hwaran. The Giselle in Act 2 is a soul. Your Giselle still has too much force in her. I canât differentiate her from the village maiden in the first act.â
He gave a stern rebuke to Hwaran. There was confidence and authority in his voice.
It was truly a performance that felt like the god of ballet.
Had he learned ballet as a child?
Unable to contain her curiosity, Seryeon hastily spoke as soon as the performance ended.
âHave you done ballet before?â
âNo. During the preparation period before the competition, I practiced this particular move by attending a ballet academy. I also referred to various versions of videos on Giselle from the library.â
âEven if itâs just one or two movements, how could someone unfamiliar with ballet⊠Then, why did you choose this scene in particular?â
âItâs a scene where I needed to show Hwaran an absolute figure of a mentor. I judged that it would be challenging to use a stand-in for the bust shot of this scene, so I thought I should show what I could achieve as an actor up to this extent. Although some correction might be needed.â
Correction⊠Was it necessary?
If one were to judge just based on the movement of the upper body at that moment, it was a flawless Giselle.
Seryeonâs ballpoint pen swirled even faster on the evaluation sheet, and Director Ki Do-han also jumped up from his seat.
âWhat kind of personâŠ?â
He was somewhat anxious about the unrevealed free acting that Yoomyeong had prepared, but he didnât expect this. Although he wasnât well-versed in ballet, as a director, that scene just now was entirely intact without anywhere to cut.
If only every bust shot could be portrayed with that much expressionâŠ
âAn incredibly hard worker.â
The actor had spent a lot of time with him analyzing the script. And until the end of the semester, he was tied up with school lessons and final exams. When could he have possibly prepared to this extent?
Ki Do-han glanced around. Kwon Sunghan seemed shocked, his mouth gaping, and the cheeks of Director Kuk, who had competed with him, was swollen with greed.
He had won.
*
âWe will proceed with the final interview.â
The actorsâ chairs were pulled a bit forward. They faced the judges in the center of the room.
Though they were called judges, almost all of Yoon Seryeonâs questions were unilaterally directed at only one person.
âMr. Shin Yoomyeong, what do you think of Giselle?â
âIf she were my younger sister, I wouldâve smacked her in the back and scolded her.â
Seryeon barely suppressed a laugh.
âBut I understand. To Giselle, wasnât Albrecht more than just a simple love, but some kind of ideal? Even if Iâm never chosen and always betrayed, I also have a value that I canât help but pursue.â
At those words, Seryeonâs eyes wavered.
Even though he was a complete stranger, she could see that the value for that actor was âacting.â
And for herselfâŠ
âWerenât you upset by Hwaran?â
âI found it naive and sad, but I wasnât offended. If someone could attain âthat valueâ only by hurting others, even I might find it hard to resist the temptation. But itâs a shame that they donât know that the value they get that way isnât worth it.â
HmmâŠ
Seryeonâs expression became complicated.
âI wonder. In the end, Hwaran gets what she wants. Isnât this a happy ending for Hwaran?â
âThe end of the movie isnât the end of the story.â
ââŠ?â
âHow do you think Hwaran lived after that?â
ââŠPerhaps she lived well as a prima?â
âShe had already succeeded in pushing aside a colleague, eliminating any potential competition. But if a stronger rival appeared later on, do you think she would try to overcome it with âeffortâ?â
ââŠâ
âThe movie ends with Hwaran becoming a prima donna. It doesnât shed light on how she lived afterward. But will the position that Hwaran so obsessively achieved by hurting others in the process really be a boon or a burden to her? I think sheâll be tormented for life.â
âI canât agree with that opinion. Even if she was tormented, she realized her dream. Isnât the happiness greater than the torment?â
Seryeon reacted surprisingly irritably.
The young man in front of her.
At that age, he already possessed that level of acting skill. He must be a genius. Effort? Anyone could make an effort. But what if an insurmountable misfortune comes that cannot be overcome with effort?
âThat judgment is based on oneâs perspective. But if it were me, I think I would end up being miserable in the end.â
After that answer, there was a brief silence, and she turned her head towards Kwon Sunghan.
âIâd like to ask Mr. Kwon Sunghan. What do you think about the Phantom?â
âUh⊠I think heâs a fantastic character! His absolute and strict side regarding ballet is very very cool, and therefore, someone with a ballet background would definitely have an advantage in playing him⊠I think.â
Kwon Sunghan subtly gauged their reactions while fully expressing his thoughts.
âAnd how about you, Shin Yoomyeong?â
âThe Phantom character? I like it, but it feels somewhat lacking.â
âIn what aspect?â
âThis script is entirely from Yoon Hwaranâs perspective. Hwaranâs thoughts and intentions are detailed, but the Phantom is depicted as an enigmatic figure, one we canât truly understand. It feels somewhat flat.â
âBut in reality, the Phantom is such a being.â
âIs that so? Could a man, who has lived in the shadows of this theater since his memory began and who is madly obsessed with ballet, truly be a divine being without any twisted aspects?â
ââŠâ
âI believe the story would be much more captivating if the Phantom showed a more âhuman-likeâ side.â
Normally, these were comments an actor couldnât make to the playwright during an audition.
If an actor had feedback about interpreting a role, they would discuss it with the director. If the director found the interpretation convincing, they would then consult the playwright about it.
However, considering that she would also be acting alongside him and that he would rather give up on this project than work with someone he couldnât communicate with, these factors emboldened Yoomyeong.
With a displeased expression, the playwright posed her final question.
âBut Mr. Shin Yoomyeongâs acting just now perfectly matched the intended enigmatic aspect of the Phantom, didnât it?â
Yoomyeong responded.
âYes, because thatâs how the current script is. I acted in accordance with that.â
His response momentarily startled everyone who was present.
*
âDirector Ki Do-han, Mr. Shin Yoomyeong, I look forward to working with you.â
The competition had ended, and there were no complications.
Director Kuk scolded Kwon Sunghan, who wore a fierce expression and stormed out. Seryeon smiled and extended her hand to both of them.
Yoomyeong paused for a moment while looking at the hand extended to him, then slowly took it.
Director Ki Do-han let out a sigh of relief.
While the director stepped out of the conference room to take a phone call, Seryeon approached Yoomyeong, who was gathering his belongings and preparing to leave.
âI was rude earlier. Iâm sorry.â
He glanced at her and then put the script back in his bag before speaking again.
âDid you practice all night?â
ââŠPardon?â
âIt doesnât seem like youâve been drinking.â
He recalled the muscles on the back of the ballerina he saw in the morning. Those couldnât be slackened muscles from drinking all night.
Those muscles, overly strained, were tight and toned. Why was she pretending to lead a reckless lifestyle and overexerting herself?
âAh⊠Itâs becauseâŠ!â
Startled, she left a message saying sheâd see him later and quickly disappeared.
In her absence, a faint scent of chamomile lingered in the air.
*
âIâm planning to take a leave of absence from school.â
About two weeks after the casting was confirmed, Yoomyeong declared this to his family after dinner.
âCanât you finish your studies⊠and then take a break?â
His mother wore a worried expression.
âIn the world of arts, timing is crucial. Heâs not quitting for good, just taking a break. Iâm sure heâs thought it through well.â
His father comforted her with these words.
âDo you have something planned?â
âYes. Iâve been cast in a supporting role for an art film produced by a company called Blue Film.â
Jiyeon chimed in.
âReally? When?â
âAbout two weeks ago.â
âWhy are you just telling us now? âŠOh, because of my job application. Thatâs fine.â
Jiyeon, who entered the same year as Yoomyeong at the Teachersâ College, was in her fourth year and had applied for a teaching position in Seoul. She had come home to take the exam and had only just finished her second round the day before.
âWhatâs the film about?â
âItâs about ballet. Think of it as a ballet version of <Phantom of the Opera>.â
âWow, ballet? Which role are you playing?â
âThe role of the Phantom.â
âOur son will do great. Good luck!â
That was his motherâs encouragement.
âSince youâre still a newcomer, instead of focusing on box office success or such, make building your fundamentals your primary goal.â
That was his fatherâs advice.
âAh⊠so thatâs why there were tights in the room. I thought it was your taste and tried to respect itâŠâ
His younger sister teased him.
âHey, Shin Jiyeon. Why did you go into my room?â
âI wanted to borrow your baseball jacket. Loose-fitting clothes look nice on me.â
âBorrowing without asking is stealing, isnât it?â
âJust let me borrow it. Iâm asking now, okay?â
Watching the siblings playfully squabbling and throwing away the maturity they displayed just a few minutes ago, their parents chuckled with a âyou-canât-stop-themâ kind of laughter.
âBut⊠a ballet movie? Do real dancers appear in it? I love ballet.â
After having some fruit, Yoomyeong came back to the room. Jiyeon, who had come to return the baseball jacket, plopped down on the bed.
âRight, thereâs that.â
Come to think of it, it was a vague memory for Yoomyeong since it was over 20 years old, but in high school, Jiyeon had collected pictures of ballerinas and occasionally pestered their mother to go see a performance.
âDo you know Yoon Seryeon?â
ââŠThe Yoon Seryeon from Jinhwa Arts School?â
âYes, that sounds right. Sheâs the lead actress in this production.â
âWow⊠has her foot healed?â
ââŠ?â
Then he remembered that Director Ki Do-han had mentioned it.
She had retired from ballet due to a foot injury.
âThat sisterhad a huge fan base. Everyone praised her for her skills and artistry, saying she had a rare talent that was hard to find in Korea. There was anticipation that she might become the youngest prima ballerina after joining the Aurora Ballet Company, butâŠâ
âBut what?â
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