"You all donât want me anymore, so why do you care about whether I live or die? You all want Jane Sampson, you donât want me. She hasnât come home yet, but youâre all on her side. Iâm so mean to her, I hate her so much. Once she returns, youâll drive me away."
Jillian Carter cried hysterically, "I donât want to share my daddy and mommy with anyone. Iâd rather die than share."
"Jillian, why canât you understand? Itâs not about making you share daddy and mommy with someone, but the fact is, we are originally Jane Sampsonâs parents. Itâs you who took away the love we have for Jane, our biological daughter. Understand? Itâs not her taking anything from you."
Mother Carter, with a headache, gently persuaded, "Your dad and I hope you and she can get along well. No matter what happened before, later, when we all sit down, you apologize to her, she wonât hold it against you. In the future, we are a family."
"I donât want to be a family with her, I refuse to be a family with her. When she comes back, sheâll definitely bully me to death." Jillian Carter lay there crying and screaming, her voice so loud that both the doctor and nurse were drawn over.
"Alright, the little miss just woke up. Any grand reasoning, discuss it after sheâs discharged." The doctor waved to send some of the relatives out of the ward, leaving only Joseph Shaw inside the ward.
Father and Mother Carter and James Carter stood outside the ward, and Mother Carter kept sighing.
"James, I arranged for the driver to take you back to the film crew first. Return early, youâll still have time to get some sleep, maybe rest in the car as well. If necessary, take half a day off to rest properly. Work is important, but not more than your body. You and your sister are both in the crew, usually take care of her a bit."
Father Carter said, "Here, with Joseph Shaw, your mom and I watching, we wonât let her mess things up again."
James Carter nodded, said "Mm," and stood at the ward door for a long time until finally leaving after the Carter familyâs driver arrived downstairs with the car.
The next day, Jane Sampson ran into James Carter early in the morning downstairs at the hotel. Without a nightâs rest, James Carterâs dark circles were quite heavy. Jane Sampson didnât ask much about Jillianâs situation.
Therefore, Jane Sampson didnât know how Jillian Carterâs situation turned out.
A week later, "The Presidentâs Wife is Not Human" began releasing its first wave of trailers.
The music for the trailer was precisely Jane Sampsonâs original song, "Heâs Bothered."
The promotional trailers were released precisely at eight minutes past eight in the morning, scheduled at this time for good luck.
Jane Sampsonâs popularity in the internet realm always stays high, and with the recent family-seeking incident, during this period, any slight movement on Janeâs twitter would automatically be pushed to hot search by netizens within minutes.
Just as Jane Sampson forwarded the trailer, and with the efforts from both the film crew and studio, in less than half an hour, the promotional trailer directly jumped to the top of the hot search list.
And second on the hot search list was the topic #Jane Sampson "Heâs Bothered"#.
Square little things mumbling and singing
He says, that is the TV.
Strange iron boxes rumbling back and forth on the street
He says, that is the car.
He also says, look up quickly,
In the heaven above, massive airplanes glide overhead.
Oh~ oh~
This world, so bizarre,
What he says, always doesnât match what he thinks,
He says, one week gets only one ice cream,
This is the way of the world.
He says, milk tea tastes bad, potato chips arenât good.
Aiya, so confusing.
Heâs a bit bothered.
Endless chatter, nonstop, never-ending.
Oh~ oh~
What he says, always doesnât match what he does.
...
This song, from beginning to end, is cheerful in style, exuding a hint of love, and itâs a song with a very girlish heart.