Orff once believed that this monster was something created by Mark, the operator of the snuff website. Otherwise, why would it suddenly kill him without any warning?
However, in the twenty-third loop, after witnessing the horrific death of Professor Abel, he was no longer so sure.
After killing Abel, something seemed to happen to the monsterâit hovered in midair, as if someone had pressed a pause button, completely motionless.
âIâm a police officer! Itâs dangerous hereâget back!â Seeing that several students in the distance were actually filming with their phones without any regard for their safety, Sawitt shouted sharply and waved at them.
âIs that guy crazy? Shooting at thin airâŠâ
âBut he says heâs a copâguess we should call campus security!â
The students didnât dare linger any longer. Chattering among themselves, they crouched slightly while clutching their phones and quickly retreated.
Sawitt ignored their nonsense. Once there were no more students within the firing range, he raised his pistol and fired several more shots toward the monster.
The bullets entered the monsterâs body as if striking air, then passed straight through its back and landed in the bushes behind it. From beginning to end, not a single mark was left on the creature.
That monster, which appeared to be made of flesh and blood, had no physical form at all!
âJesus! What the hell is that thing?!â
âMrs. Salaman, please help the chief!â
The two officers were clearly seeing such a shocking scene for the first time. Fear spread across their faces as they turned to the psychic for help.
However, unexpectedly, while everyone in the car could see the flesh-and-blood monster, the only person with supernatural abilitiesâthe psychic, Mrs. Salamanâwidened her eyes in confusion, her face filled with astonishment.
âIâm sorry, I donât know what youâre talking about. I didnât see any monster you mentioned⊠Including Sawittâwhat exactly is he shooting at? Is there something in midair? Because I didnât see anything, and I didnât feel anything eitherâŠâ
âMrs. Salaman! This isnât the time for jokesâthat thing is already charging at the chief!â
âOh no, boss!â
In just those few exchanged lines, the flesh-and-blood monster that had been suspended in midair suddenly moved.
With a series of crack-crack sounds, it twisted its neck, lifted its head, and fixed its gaze on Chief Sawitt, who was firing his gun.
âZzzztâŠââlike a television with bad signalâseveral white, mesh-like interference patterns suddenly flickered across the monsterâs body. In the next second, everyoneâs vision blurred for an instant. When they refocused, the creature had already appeared right in front of the chief, face-to-face with him.
âDamn itâwhat the hell are you?!â
Even someone as experienced as Sawitt couldnât help but have his pupils dilate and cold sweat break out across his forehead when confronted at such close range by such a creature.
He shouted loudly to bolster his courage while stepping back quickly, trying to put distance between himself and the monster.
Unfortunately, the flesh creature gave him no such chance.
Pssh!
The monster raised its hand, revealing thick, pointed nails. With a hoarse roar, it drove its fingers straight into Sawittâs eyes.
Just like its exposed teeth, the creatureâs nails were formed by layers of different peopleâs nail fragments stacked together. They resembled mussels clinging to seaside rocksâpressed tightly side by sideâemerging from narrow nail beds and clustering densely together. Some nails were short and rounded, others long and sharp; some were rough with fine ridges, while others were manicured, painted with delicate stars, or adorned with now-dim rhinestonesâŠ
Countless nails, like the blades of a meat grinder, sank deep into Chief Sawittâs eyes, shredding the eyeballs into splattering blood and tissue fluid. Then, amid the officersâ horrified and furious screams, the monsterâs hand pushed further inward, burrowing deeper into the brainâuntil a large burst of blood exploded into the air.
The back of the chiefâs head burst open like an overinflated balloon. His heavy body fell backward, triggering another wave of terrified screams all around.
âAhhh! Iâll fight you to the death!â
One of the officers was very close to Sawitt. After witnessing the chiefâs death with his own eyes, rage overwhelmed him. Gripping his pistol, he flung open the car door and charged straight at the monster.
Inside the vehicle, the other officer was already scared out of his wits. He grabbed Mrs. Salaman, hoping that this well-known psychic from Dalami City could do something. But even after witnessing the chiefâs death, Mrs. Salaman still insisted that she hadnât seen anything strange, nor had she sensed anything at all.
They only argued for a couple of seconds. When he turned his head again, the officer outside who had been shouting in fury had already been attacked by the flesh monsterâhis eyeballs burst, and he died instantly.
âCrack⊠crack-crackâŠâ
After killing that officer, the monster slowly twisted its neck, producing faint sounds of joints misaligning, and turned to face the inside of the car.
âNo! Donât!â Stimulated by the string of deaths, the last remaining officer finally broke down completely.
Forgetting all about his mission, he burst into tears, crying and shouting as he ran out of the car, stumbling as he fled into the distance.
Seeing this, Orff hurried after him.
The monster seemed to have locked onto the officer and Orff. After the two fled, it did not attack Mrs. Salaman in the car. Instead, it changed direction and pursued them directly.
Leaving the warmth of the jeep, the winter wind swept over them in biting gusts, bringing piercing cold. After running for only a short while, Orff fell behind the officer, whose physical condition was far superior.
Thud! He tripped and fell.
When he lifted his head again, the blood-red flesh monster was already right in front of him.
Am I going to die again�
Just as that thought surfaced, a tall, slender figure wearing long boots suddenly stepped out from the darkness. She glanced with interest at the empty space in front of him, then looked at Orffâwho was trembling uncontrollably, on the verge of faintingâand a thoughtful expression appeared on her face.
âHey, Orffânext time youâre in a loop, remember to come find me and tell me, âthe third monkey.â Got it?â
âW-what?â
âZzzztâŠâ There was no time left for Orff to react. In the blink of an eye, the white, mesh-like interference patternsâlike those on a TV with poor signalâreappeared across the flesh monsterâs body.
The blood-red color in his vision suddenly expanded. Orff stopped asking questions and stared wide-eyed.
Amid a sky filled with crimson, he entered his twenty-fourth loop.
âŠ
âBecause of what you told me, in the twenty-fourth loop, I found you again.â In the twenty-fifth loop, Orff dejectedly took a sip of the soda Everly had given him and continued, âJust like in the previous loop, after hearing my description of the flesh monster, you were going to refuse me again. But when I told you what happened in the twenty-third loop, and repeated the message you asked me to pass on, you suddenly agreedâŠâ
âSo what does that phrase actually mean?â Misha interjected curiously.
âWellâŠâ Since it was her own âriddle,â Everly tapped her chin, thought for a moment, and quickly figured it out. âIt should refer to the âThree Wise Monkeysâ from Xia Country.â
âThe Three Wise Monkeys?â
âYeah. Itâs a common artistic motif in Xia Country, originating from a saying in the Analects: âDo not look at what is improper, do not listen to what is improper, do not speak what is improper.â The first monkey covers its mouth, meaning âspeak no evilâ; the second covers its ears, meaning âhear no evilâ; and the third covers its eyes, meaning âsee no evil.â So the âthird monkeyâ I told Orff to mention means âdo not look.ââ
âI see! Everly, you know so much!â Misha praised sincerely, then turned to poke Orff, urging him to continue.
Orff nodded, his ears turning red.
âŠ
In the twenty-fourth loop, after a round of discussion, Orff and Everly once again formed an alliance.
This time, Everly didnât rush to deal with the website operators inside and outside the school. Instead, she focused her attention on the flesh monster.
Clearly, compared to the human operators, this creatureâwhich couldnât be destroyed by physical meansâwas the greatest obstacle to Orff ending the loop.
âFirst, look into Mrs. Salaman for me. See if sheâs suspicious,â Everly assigned Orff a task.
The ever-diligent Orff immediately got to work as soon as he received the order. Meanwhile, Everly didnât stay idle either. She took out pen and paper and began jotting things down, organizing her thoughts.
In the previous loop, she had instructed her future self to accept this commission. To prove that the message truly came from her, she had even included a âverification codeâ that only someone from China would understand. After hearing that code-like phrase, Everly was basically certain that Orff wasnât lying.
So under what circumstances would she be willing to take on such a dangerous task?
âNaturally, when the danger wouldnât truly threaten her.
In other words, in the previous loop, she hadnât become the monsterâs target. Combined with the âdo not lookâ code, Everly inferred that in the last loop, she had probably been like Mrs. Salamanâunable to see even a trace of the monster.
From this, it seemed that only those who could see the monster would be attacked by it. Or perhaps only those selected as its targets were able to see it in the first place?
Pushing the reasoning furtherâwhy was there a difference between the twenty-second and twenty-third loops?
First, she reviewed what she had done in each loop.
In the twenty-second loop, Everly interrogated and dr*gged Abel and Ronald, reported Charlie, shot and killed âthe Butcher,â and finally drove past Markâs houseâonly to encounter something supernatural.
In the twenty-third loop, Everly had done nothing except lend her car to Orff.
There were too many differences between loops to analyze easily, making elimination difficult.
In such a situation, introducing other control groups would simplify the problem considerably.
Everly chose two control groups: one was the city police officers who could see the flesh monster and were attacked by it, and the other was Mrs. Salaman, who couldnât see the monster and was never attacked.
Just at that moment, Orff had finished gathering his intelligence.
âMrs. Salaman is good friends with Sawitt. The two have a close relationship⊠She was born with a strong gift of inspiration and, from a young age, could see things others couldnât and hear sounds that shouldnât exist. After her husband passed away, as a widow, she took up work as a psychic to make a living, helping the living communicate with deceased loved ones.â
âThrough her seance rituals, Mrs. Salaman can allow the spirits of the dead to possess her. At that time, her voice becomes identical to the deceased, and she can speak secret phrases known only to the deceased and the client. People say she is extremely effective.â
âDoes Mrs. Salaman have any other abilities, like exorcism or sealing evil spirits?â Everly asked.
Orff tapped rapidly on his computer for a moment, then shook his head. âNo, it seems the only thing she can do is communicate with spirits.â
Everly nodded. âGot it.â
Judging by this, Mrs. Salaman did have some ability, but not muchâshe could essentially be considered an ordinary person with sharper-than-average senses.
Everly first listed what Mrs. Salaman did in the twenty-third loop in her notebook: she sat in the car with Orff all afternoon.
Then she listed what the ordinary police officers did: they reviewed Charlieâs evidence collected by Orff with the chief and also sat in the car with Orff all afternoon.
The first personâMrs. Salamanâclearly had stronger abilities, yet she saw nothing and wasnât attacked by the monster. The secondâthe ordinary police officerâsaw the flesh monster and was killed by it.
This comparison made the answer almost obvious: viewing the evidence is a necessary condition for being attacked by the monster.
Of course, there was another possibility: that Mrs. Salaman carried some kind of protective talisman shielding her from the monster, preventing her from seeing it.
But this seemed unlikely. Orff had mentioned that when all three people in the jeep could see the monsterâexcept Mrs. Salamanâshe had been genuinely surprised.
Mrs. Salaman was Sawittâs friend, and nothing suspicious had been found about her; she wouldnât deliberately âtrickâ someone close to her. Therefore, Everly leaned toward the first explanation.
After arriving at this conclusion, Everly tested it against other cases:
In the twenty-second loop, she and Misha had both seen the evidence Orff had collected, so when the flesh monster appeared, they could see it. In the twenty-third loop, Abel and the chief were attacked in turn. One of themâthe âcreatorâ of the evidenceâcouldnât have avoided seeing it, and the other had seen Orffâs evidence in the car. Both were consequently killed by the monster.
All these observations aligned, suggesting that her reasoning was highly likely to be correct.
This meant that in the current loop, as long as Everly continued not looking, she could avoid being hunted by the flesh monster and safely assist Orff.
As for Orff, his situation was a bit more complicatedâŠ