âAlright, letâs first clarify everyoneâs tasks. Orff, you currently have two:
First, infiltrate the newly set-up dark web and obtain evidence of Charlieâs criminal involvement;
Second, make sure you can lure Ronald over to the car in ten minutes.
As for Misha, youâre with meâweâre going to find Professor Abel.â
âGot it!â
âUnderstood.â
The two responded and got to work according to Everlyâs instructions.
Everly took Misha to the teaching building.
For this loop, it was their first time âvisitingâ Abel. However, having heard Orff describe what happened during the twenty-second loop, the two girls handled things with practiced ease.
Everly and Misha worked together: Misha kept Abel distracted with idle chatter, while Everly seized the moment, moving as fast as lightning and subduing him cleanly with a stun device.
Within two minutes of meeting him, Abel had already been tied up like a mummy and shoved under the desk.
Relying on her âforeknowledge advantage,â Everly left Abel there. Under his disbelieving gaze, she walked to the cabinet hiding a safe, opened it, entered the code, and took out the sedative stored inside.
âMmph⊠mmphâŠâ
Abel recovered from the paralysis caused by the shock and began struggling frantically, his eyes filled with panic and resistance. But Everly had no intention of letting him break free.
Misha kicked him, making his whole body tremble. Seizing the opportunity, Everly stepped forward and injected the sedative into his arm.
Under the effects of the drug, Abel quickly fell into a deep sleep.
Everly waited a moment to make sure he was completely out. Only then did she raise her foot and stomp hard twice on his groin, before delivering a final kick that sent the beast in human skin back under the desk, hidden from sight once more.
Subduing Abel was necessary, because he was like a hidden threat planted in the schoolâtogether with Ronald, he constantly monitored Orffâs every move. Only by silencing this âinformantâ could the âButcher,â far away in the forest rangerâs cabin, be kept in check, preventing him from suddenly driving out in a truck mid-way through Everlyâs operation to hunt Orff down.
Still, being killed by a monster in his sleep was relatively lucky for Abel. The more Everly thought about it, the less satisfying it felt. She lifted her foot and viciously kicked the limp man on the ground several more times before finally locking the office door and leaving with Misha.
By the time they returned to the car, exactly ten minutes had passed.
Ronald still had no idea that âAâ was already finished. He was busy plotting how to kill Orff; the moment he received the invitation, he hurried over without hesitation.
Dressed flamboyantly, he swaggered up to the car, whistling as he admired Everlyâs stunning vehicle with clear amazement in his eyes.
âWant to come up and take a seat?â
Everly stepped forward and extended a friendly invitation.
Since Ronald was still looking for a chance to kill Orff inside the car, there was no way he would refuse.
So, a few minutes later, just like in the twenty-second loop, he was first beaten up, then injected with a sedative, and finally tied up like a dead pig and tossed back into his own car.
With the threat in the school removed, it was time to deal with Chief Charlie. The method was the same as in previous loops: Orff used Charlieâs incriminating evidence as leverage to secure Sawittâs help, having Sawitt keep Charlie tied down at the police station.
As for the âButcherââbased on information gathered from previous loops, among the three other operators, the Butcher had a close relationship with Abel. He only listened to Abel and followed his lead; the other two operators couldnât control him.
Therefore, in theory, once Abel was unconscious, there was no need to deal with that guyâhe would automatically stand down.
With the preparations reaching this point, the obstacles from the human side had essentially been cleared.
Everly began carrying out the next step of her plan.
âIâll lend you the jeep. Listen carefully, Orffâwhat you need to do next is drive. Head southwest the entire wayâremember, it must be southwest. Thatâs the only direction that keeps you away from all the operators. Iâll handle Markâs place myself, and Iâll also try to find a way to deal with the monster. You donât need to do anything elseâjust keep driving, as far as you can, while making sure you stay safe. The farther you get, the better. Got it?â
Orff nodded.
âWhat about me?â Misha raised her hand.
âAs for MishaâŠâ
Everly had originally planned to have Misha stay at the school and go nowhereâOrff was basically a walking disaster, and even if she went with him, she wouldnât be able to help much. She might even end up getting splattered with his blood. As for going with Everly to Markâs house, that could be dangerous too, and Everly didnât want to put her at risk.
All things considered, the school seemed like the safest place.
However, as the refusal reached her lips, Everly saw the determination on Mishaâs face and recalled the grief she had shown upon hearing about Barbaraâs death. She hesitated.
âAs for Misha⊠hmmâhow about you keep an eye on the âButcherâ? Iâll give you some guns and protective gear, but you must not get close. Go to the hillside where I previously set up an ambush and watch Michael from a distance. As long as he doesnât leave the birch forest, donât kill him. That way, you can buy more time for Orff.â
It was a somewhat dangerous assignmentâafter all, the âButcherâ possessed extraordinary physical abilities. But as long as she stayed cautious and kept her distance, simply observing from afar, someone as sharp as Misha should be able to handle it.
As expected, when Misha heard she had been assigned a âheavyweightâ task, she immediately perked up with enthusiasm.
âDonât worry, Everly! The reason Iâve survived this long is that I follow instructions. Iâll definitely keep a close watch on the âButcherâ for you!â
âAll right, then. Timeâs short, weâll start moving immediately.â
At Everlyâs command, the three of them, with clear objectives, separated once more.
Just like in the previous loop, Everly rented a car, drove near Tombstone Alley, and quietly hid on a hillside to watch Mark from a distance.
In the last loop, because useless Orff had died too early, she hadnât been able to get detailed information about the basement. So this time, to be cautious, Everly still didnât dare get close to Markâwhat if he was some kind of âmagically and scientifically trainedâ genius, capable of both advanced research and absurd superstitions? She feared she wouldnât be able to handle him.
Suppressing her curiosity, Everly quietly lay on the hillside, patiently waiting. At 16:58, familiar noises reached her earsâMark and the dog were both dead.
It was time to act!
Moving swiftly like a deer across snow, she sprinted and vaulted over the iron fence outside the yard, smashed a window to break into Markâs house, and, following previous experience, first took the keys off his body. Then she circled to the garage at the back, used the triangular rusted key to open the door, and found the tunnel hidden beneath the storage locker.
Doing things by the book was fast! This time, from the monsterâs appearance to Everly successfully finding the secret basement of Markâs house, it only took 2 minutes.
The entire block was currently without power, so none of the lights in the house or garage worked. In the dim garage, the entrance to the underground passage lay quietly open on the floor, pitch black, like a deep well plunging into an endless abyss. Even just looking at it sent a cold sweat creeping up oneâs back.
Everly took a deep breath and synced her status in real time through her Bluetooth headset: âIâve reached the entrance to Markâs secret basement, about to enter.â
She then pulled a handgunâpurchased through special channelsâfrom her ski bag, flipped open the safety, and held it in her right hand. Her left hand gripped a flashlight, positioned beneath the gun to steady it, keeping a vigilant stance as she stepped into the dark, foreboding underground.
The stairs leading to the secret basement were cement, and it was unclear how long it had been since they were last cleaned. A thick, sticky layer covered themâsomething like grease, or blood, or tissue fluid. Every step she took squished unpleasantly beneath her feet.
The filth alone was bad enough, but the air carried a horrid stench. It reminded her vaguely of the corpse odor sheâd smelled as a baby, but far more complex. Mixed into the stench were hints of disinfectant or formalin, as if partially decomposed flesh had been forcibly treated. Half-decayed, still disgusting and revolting.
Was Mark really a researcher? If youâre doing research, shouldnât basic hygiene come firstâŠ?
Everly scolded herself internallyâhow had she left without a mask?
But now that she was here, there was no turning back. She had to grit her teeth and continue.
The downward passage was steep, and each step required extreme caution. As she descended, she counted the stairsâabout twenty or soâbefore reaching a flat area. She entered a square underground room.
The space wasnât largeâless than forty square meters. The floor, walls, and ceiling were all covered with aged white-and-green square tiles, the color scheme oppressive enough to make anyone feel claustrophobic.
Tiles like these show even the slightest dirt, and Mark, clearly a person who didnât care about cleanliness, had left the room in chaos. Yellow grease, dark red bloodstains, and semi-transparent unidentified smears covered the floors and walls. It looked disturbingly like some kind of slaughter scene.
To her left, the stairs were flanked by a wall; to her right stood a long table. On it were a computer, books, a microscope, petri dishes, and scalpelsâclearly a workspace for experiments.
In the center of the room was a massive metal bed, upon which lay what appeared to be a corpse. Several cameras were arranged around the bed, and if one ignored the background, it almost looked like a film set.
Because of the cameras, Everly didnât immediately see the corpse clearly. She stepped forward two more paces to illuminate the deeper part of the room. The cold white beam of her flashlight flicked across the space, and in her peripheral vision she caught a flash of red. Turning her head, she froze in horror.
On the metal bed lay a skinned, grotesquely assembled corpse. Its body was bright red, its internal organs exposed. Its eyeballs were mismatched in color, its molars stacked unnaturally along the gums, and countless fingernail plates jutted outward from every nail bed, jostling for space.
Its appearance matched exactly the description Orff had given of the flesh-and-blood monster.