Chapter 436: Chapter 350: Money Power? I Have It Too!
Mr. Greuze watched silently until Alexandraâs painting was complete, and he finally let out a sigh with a surprised smile, âYour Highness the Grand Duchess, you are truly the most talented student I have ever seen. You have portrayed Joanna with such vitalityâŠâ
Joanna was the maid currently posing at the front of the art studio.
As Greuze spoke, he caught a glimpse of the other studentsâ work and shook his head with a sigh, âKalalis, Marisa, perhaps you should take a look at the Grand Duchess Alexandraâs painting.
âYou have been studying with me for four or five years and in some ways⊠it seems you still havenât touched the essence of painting. I hope you can learn something from this piece.â
The three noble girls beside him exchanged glances, their faces full of dissatisfaction. After all, the youngest among them was already 11 years old, and Kalalis was 14.
And yet their teacher was suggesting they learn from a Russian peasant girl of only seven years!
The girls congregated around, reluctantly, but their meager artistic cells prevented them from seeing the âsoulâ of the painting that Mr. Greuze referred to.
Greuze then commented on Alexandraâs painting some more, mostly with words of praise and encouragement. After a glance at his watch, he announced that class would continue next Tuesday before bidding farewell to the young noblewomen and leaving the studio.
Marisa mockingly kidnapped Alexandraâs easel, exaggeratingly inspecting the latterâs painting and muttered to herself, âHas the teacher been drinking today?â
Her father was the second assistant to the French Minister of Agriculture, and their family had an hereditary earldom, so she harbored no fear toward the Russian Grand Duchess.
Another noble girl beside her sneered in response, âThat must be the case, otherwise why would he comment for over ten minutes on such a mundane painting.â
âAnd he even expects us to âperceiveâ something from this work. Hmm, the paint is quite nice,â Kalalis followed with a sardonic tone.
No wonder they were upset. Mr. Greuze had actually said they couldnât paint as well as a âwild Tartarâ girl, which was a humiliation to their skills!
They were all born and raised in the Palace of Versailles, having been immersed in art from a young age, with many masters praising their great talent. How could they possibly be surpassed by a Russian peasant girl?
Since they couldnât challenge the master artist Greuze, they turned their frustrations on Alexandra instead.
The young Russian girl took back her painting, gestured to the maid to pack it carefully, and then turned to the noble girls with a sweet smile, speaking in perfect French, âIf you spent the time and effort you use to say these discordant words on practicing painting instead, perhaps your teacher wouldnât need to praise a âtransfer studentâ.â
Having said her piece, she ignored their expressions and headed out of the studio.
âYou!â Marisa stamped her foot in shamed anger, pointing at Alexandraâs retreating back as she shrieked, âDonât think your painting is really that good! The teacher was just humoring you as a child with some casual encouragement.â
She signaled to the two noble girls beside her, âAny one of us here paints far better than you do.
âLet me tell you, Kalalis and Miss Stellaâs paintings have been selected for the âLorraine-Charlibourg Exhibitionâ!
âOh, you probably never heard of the Charlibourg Exhibition. If your painting from earlier gets selected for the exhibition, weâll admit that your painting is not so bad. But if you donât make it, you must apologize to us!â
In reality, it was only because their families had some connections with the people running the exhibition that their paintings were displayed in a nondescript little cottage in Charlibourg, merely hitching a ride on the eventâs hype, which hardly counted as âparticipating in the exhibition.â
âNot interested,â Alexandra glanced briefly at the three and then headed towards the carriage in the courtyard with long strides.
The noble girls felt they had regained some ground and immediately became smug, âHmph! Itâs good that she knows her limits.â
âOf course, thatâs a top-tier exhibition attended by the Royal Familyâher clumsy work wouldnât even make it through the door.â
âShe really should have a look at the Charlibourg Art Exhibition; itâs truly a spectacle of being submerged in an ocean of artâŠâ
As Alexandra boarded the carriage, she didnât catch what they said afterwards, only feeling that the name âLorrain-Charlibourg Art Exhibitionâ seemed vaguely familiar.
âWhere have I heard it before?â
She gazed toward the majestic Louvre in the distance and soon forgot about the matter.
Three days later.
In the northern outskirts of Paris. A series of carriages arrived at the luxurious estate of Charlibourg. About six or seven hundred aristocrats gathered here to attend the renowned Lorrain-Charlibourg Art Exhibition.
This place used to be a monastery, bought and converted into a castle-style manor, and later gradually developed into a center of painting arts.
There was still some time left before the exhibition was due to start. Mr. Philip Beto, the overall organizer of the exhibition, was checking the guest list one last timeâsince the Royal Family would visit Charlibourg each year during the exhibition, no detail could be overlooked.
Just then, the office door was pushed open. His assistant almost ran to his desk and whispered a few words into his ear.
Philip Beto immediately frowned and turned to look at his assistant, âAre you sure?â
The latter nodded: âQuite a few young noblewomen from the Palace of Versailles have heard about it, likely from Miss Marisa boasting to them.
âI went to Mr. Greuzeâs house this morning to confirm, and his maid witnessed the whole event.â
âThis could be troublesomeâŠâ
After a moment of thought, Philip Beto instructed his assistant, âAnnounce to the public that termites have been found in the room on the second floor.â
âYes, Manager.â
Once the assistant left, Philip Beto rubbed his brow in annoyance. The conflicts between these noble ladies were the most troublesome; the second daughter of the Lemaire Countâs House just had to clash with the Russian Grand Duchess at this timeâŠ
Although he was somewhat acquainted with Count Lemaire, it was Count Poplinsky from Russia who was the main sponsor of this yearâs exhibition, providing as much as 75% of the funds required.
He couldnât afford to offend him!
Therefore, the only option was to let the paintings of the two young ladies, who boasted that their works would be exhibited whereas the Russian Grand Duchessâs would not, âdisappearââŠ
Soon, the grand art exhibition officially opened.
Several hundred aristocrats were led ordersly into the exhibition hall by the servants of Charlibourg.
Kalalis and Marisa, looking proud, led a group of young nobles directly to the room in the southwest corner of the second floor, boasting along the way, âThat is the painting even Mr. Greuze praised, so it naturally took part in the exhibition.â
They entered the room designated for their works, only to find it completely empty.
Thinking she had made a mistake, Kalalis repeatedly checked the room number and even looked in the adjacent rooms, but never found her own paintings.