With the stage props set, Leon and the others took their places.
In the first scene, just as they had rehearsed, Rosvisser sent Moon away, leaving her alone with the "captive" Leon for a private conversation.
The classic "Tail Lock" and "Handsome Man with Scars" scenes played out, stirring whispers among the school faculty and judges in the audience.
"These young actors are quite skilled; they really bring the scene to life," one commented.
"The lead actress nails the expressions and intonations, especially with that regal, haughty cadenceâshe genuinely has the aura of a cold, proud princess, even a queen," another noted.
"Could she actually be a queen?" someone mused, half-jokingly.
"And why is no one talking about the male lead's performance? His portrayal of a defeated yet defiant captive was outstanding!"
"Yes, his acting is quite remarkable."
"It's so convincing, it almost doesn't feel like acting."
Hearing the faculty praise the model familyâs performance, Vice Principal Wilson, seated on the left side of the judges' panel, stroked his white beard in satisfaction.
He leaned toward Headmistress Angelina Ouellette, lowering his voice. "Well, Headmistress, didnât I say the Melkveys would put on an unforgettable performance?"
Headmistress Ouellette nodded in agreement. "Indeed."
Their impressive performance pleasantly surprised Ouellette. She recalled their first meeting in her office, where Veronica had entrusted her to deliver the Primordial Crystal to Rosvisser as a wedding gift. At that time, the couple had left her with a favorable impressionâhumble, polite, adept in conversation, and balanced in their approach. They exuded sincerity without being overly trusting, leaving a sense of reservation.
"Shrewd couple," was the label she mentally applied to them back then.
Watching their flawless performance now, Ouellette was convinced they werenât just shrewd; they were deeply in love and in perfect sync.
Sheâd often heard Vice Principal Wilsonâs praises of their love and harmony, though she hadnât fully believed it. But after seeing them perform today, she was convinced.
âHas the recording stone captured all of this?â Ouellette asked.
âEvery single moment,â Wilson replied proudly.
Ouellette gave a small smile. Perfect. Later, sheâd give Veronica the recording stone so she could see for herself what a harmonious pair her granddaughter and her husband were.
Onstage, the first scene concluded.
In the second scene, Aurora, playing the role of a little spirit, entered to guide the captured male lead in his daring escape from the dungeon. After overcoming countless obstacles, he finally returned to his homeland.
Yet, as he neared the borders of his own kingdom, the princess who had been pursuing him caught up with him.
He assumed sheâd try to stop him, but instead, this princessâwho had already developed feelings for himâcame to bid him farewell.
They lingered in each otherâs company, neither admitting their feelings.
The pink-haired spirit off to the side grew increasingly exasperated.
Sheâd been frustrated during rehearsals;
Now, in the actual performance, she was just as anxious.
But her older sister had told her that such matters couldnât be rushed.
Otherwise, theyâd have to close the curtain right after the second scene, leaving nothing left to perform.
Fine. The directorâs the boss; listen to the director.
Finally, after much ado, the two parted ways.
Aurora waved her magic wand and declared, âBrave knight, I foresee in the fables that you and the princess will meet again someday. Now, return home, regroup, and prepare for the greater challenges to come!â
With a final wave of Auroraâs magic wand, the second scene concluded, earning enthusiastic applause from the audience.
The judges continued discussing the actors' performances.
âIf the first scene established the characters, giving the audience a clear impression of each, the second scene breaks those impressions, making the characters more complex.â
âYes, through the shifts in their emotions, the story naturally flows forward. The writer has impressive skill.â
âIndeed, but I think the director deserves equal praise for weaving these scenes together so smoothly. After all, bringing a script to life is no small featâit tests the directorâs ability.â
âTrue. What was the directorâs name again?â
âNoa. Noa K. Melkvey, the youngest in the young dragon division, yet sheâs held first place for years.â
âOh? I usually direct for the Sky City Theater and was invited to judge this competition, but I had no idea your academy had such a gifted student.â
âProfessor, donât even think about stealing Noa away. Directing is just one of her many talents; sheâs destined to be one of the greatest dragon warriors.â
âHahaha! So quick to read my mind!â
The judges continued to praise the first two scenes.
Next came the climactic third scene: the showdown between Leon and Claudia.
In this scene, Noa made a cameo as a maid by Claudia's side.
After completing her cues, blocking, and stage setup, Noa watched as her father stepped in front of Aunt Claudia.
Leon bowed his head respectfully and called out, âMother Empress.â
At that, Noa sighed in relief.
Good job, Dad. You finally called her âMother Empressâ without a hitch!
The two exchanged a few lines, and due to time constraints, the tension quickly escalated.
âYou want to return to that woman? Absolutely not! I will never allow it!â Claudiaâs commanding presence and acting were so convincing, it was as ifâŠ
Leon really were her son, and she genuinely forbade him from loving a princess from a rival nation.
Noa admired Claudiaâs performance from the bottom of her heart, no matter how many times she saw it.
Sheâd always known her parents had a talent for acting, but she hadnât expected Aunt Claudia to be a natural as well.
Leon had thought similarly, until Claudia mentioned once that the Sea Dragon Clan had never fully supported her sister and brother-in-lawâs marriage.
Only then did General Leon realize:
âLifeâs a play, and memory is the script,â didnât apply solely to him and Rosvisser.
It seemed every family had its own share of struggles, Leon mused quietly.
âMother Empress, just let me see her one last time!â
âNo. If you insist on seeing her, fine, but only after you remove your armor, relinquish your insignia, and strip away every honor you hold. Only then may you go to her.â
â... Fine! Mother Empress, Iâll do as you say!â
Leon stripped off his armor and other props, tossing them aside.
âMother Empress, now are you satisfied?â
âYou⊠you would abandon all of this for that woman? Is she worth it?â
âSheâs worth everything. For her, Iâd give up anything.â
âVery well⊠so be it! Guards, banish him from our land, and let him return only when heâs come to his senses!â
As the scene unfolded, Noa watched with delight from the side.
Her dad was born to play a rebellious character willing to risk everything; that intense, defiant energy suited him perfectly.
Aunt Claudia, on the other hand, portrayed each subtle shift of emotionâshock, anger, and finally resignationâso naturally.
Aunt Claudia, are you even acting? Itâs like you actually have a rebellious family member at homeâŠ
In the following scenes, Leonâs character, guided by Aurora, reunited with Rosvisser.
But Claudia wasnât the only obstacle in their path to love.
They faced the wrath and condemnation of their respective countries, endured hardships, fell into a witchâs trap, and faced life-threatening trials.
Just as they were about to escape to a peaceful haven, a curse cast by the witch plunged the princess into an eternal slumber.
âNo! No!â
(Snow fluttered, and the northern wind howled)
âMy love, you canât leave me like this! Donât leave me!â
Onstage, Rosvisser lay in a âcomaâ in Leonâs arms.
Leon held her head, looking skyward in anguish, tears streaming down his faceâ
Or rather, from the onion heâd applied near his eyes before going onstage to avoid laughing.
The idea of Rosvisser in an endless slumber actually thrilled him (because then he could dress her up in black stockings and bunny ears and take endless photos, heh heh).
Though inwardly amused, he still delivered a powerful, moving performance.
Many young dragons in the audience worried whether the beautiful princess would ever awaken.
The story continued.
Leonâs knight character traveled the world, desperately searching for a cure to wake the princess.
Eventually, both nations learned of his quest.
The princessâs coma was no trivial matter.
Yet, hindered by years of conflict, neither side wanted to be the first to extend a hand.
In the end, the knightâs unwavering love moved them both.
He was no longer alone in his battle; for the first time, he had people supporting him.
In the final scene, the knight finally found a way to awaken the princess.
They reunited on the seashore at sunset, the perfect setting for the playâs title, *Where Love Sinks*.
Leon held Rosvisser in his arms, waiting patiently for her to awaken.
The stage lighting created a soft, sunset-like glow, casting a warm, romantic atmosphere.
Meanwhile, backstage, Helena approached Noa.
âWeâre almost ready for the curtain call, Noa. We did it.â
Noa nodded. âYeah, we⊠did it.â
âOh, by the way, remember how Mom asked me to revise the last line?â
âDonât worry. Right before we went on, Dad said heâd thought of the perfect line.â
The young sea
dragonâs eyes sparkled. âReally?â
âYeah, really. I donât know what heâll say, but⊠I trust him.â
Onstage, Rosvisser slowly opened her eyes.
The lead characters gazed into each otherâs eyes, the âsunsetâ reflecting in their pupils.
A tender tension shimmered between them, almost tangible, complex and unbreakable.
âYouâre finally awake,â Leon whispered.
Rosvisser was momentarily captivated, her gaze locked onto Leonâs deep, dark eyes. She softly replied, âYesâŠâ
The final line of the play was next, the one Helena had rewritten multiple times but never perfected.
Curious, Rosvisser wondered what Leon would say.
Would it be something simple yet formal, like âIâve waited for you all alongâ?
Or a long, romantic speech filled with poetic declarations?
Or perhapsâŠ
Rosvisser had no idea.
This man always managed to surprise her.
âRosvisser.â
He didnât use the name of her character but instead chose this moment to call her by her real name.
Of course, Leon was mindfulâhis voice, saying âRosvisser,â was soft enough that only the two of them could hear it on stage.
Rosvisser looked at him, a little surprised. This idiot⊠calling her by her real name⊠what was he planning?
âRosvisserâŠâ
Looking into her eyes, with hundreds watching them, Leon spoke slowly.
âI love you.â